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・ For Your Boy and My Boy
・ For Your Consideration
・ For Your Consideration (advertising)
・ For Your Consideration (album)
・ For Your Consideration (film)
・ For Your Ears Only
・ For Your Ears Only (radio program)
・ For the Sake of Love
・ For the Sake of Mahdi
・ For the Sake of Mankind
・ For the Sake of My Intemperate Youth
・ For the Sake of Revenge
・ For the Sake of the Call
・ For the Sake of the Call (album)
・ For the Sake of the Children
For the Sake of the Song (album)
・ For the Second Time
・ For the Sick
・ For the South
・ For the Stars
・ For the Strength of Youth
・ For the Taken
・ For the Term of His Natural Life
・ For the Term of His Natural Life (1908 film)
・ For the Term of His Natural Life (1927 film)
・ For the Term of His Natural Life (disambiguation)
・ For the Term of His Natural Life (miniseries)
・ For the Term of Their Unnatural Lives
・ For the Thrashers
・ For the Time Being


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For the Sake of the Song (album) : ウィキペディア英語版
For the Sake of the Song (album)

''For the Sake of the Song'' is the debut album by country singer/songwriter Townes Van Zandt, released in 1968. The majority of the songs, including the title track, "Tecumseh Valley", "(Quicksilver Daydreams of) Maria", "Waiting 'Round to Die", and "Sad Cinderella", were re-recorded in more stripped-down versions for subsequent studio albums.
==Background==
''For the Sake of the Song'' would be the flagship release on Poppy Records, a label operated by Keven Eggers, with whom Van Zandt would have a long and complex professional relationship. According to John Kruth's book ''To Live's To Fly: The Ballad of the Late, Great Townes Van Zandt'', Eggers first heard Van Zandt's song "Tecumseh Valley" when producer Jack Clement played a demo of it recorded at a Houston recording studio in 1966, with Eggers marveling, "I thought it was an absolute classic song. When I heard it I said, 'This is a brilliant songwriter.' I told Jack right then and there that I would sign Townes and make a record with him. Townes was brilliant from day one." Clement, who had been an engineer for Sam Phillips at Sun Records and an established songwriter himself, offered to produce the album with Jim Malloy. Van Zandt, who had gained a small but devout following among the folk "purists" who attended his shows in coffeehouses and dive bars, agreed to travel to Nashville for the recording sessions. Although Nashville had become known as the epicenter of commercial country music, by the late 1960s it had also produced hit albums by artists in rock, pop, and folk circles, such as ''Blonde On Blonde'', ''John Wesley Harding'' and ''Nashville Skyline'' by Bob Dylan, ''Bookends'' by Simon and Garfunkel, and ''Sweetheart of the Rodeo'' by the Gram Parsons-led incarnation of the Byrds.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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